Loading...
Loading...

Go to the content (press return)

De las miradas distraídas en Enric Miralles = Concerning distracted gazes in Enric Miralles

Author
Escoda, C.M.; Zaragoza, M.I.; Esquinas, J.
Type of activity
Journal article
Journal
Arquitetura revista
Date of publication
2017-01-01
Volume
13
First page
1
Last page
9
DOI
https://doi.org/10.4013/arq.2017.131.05 Open in new window
Repository
http://hdl.handle.net/2117/111112 Open in new window
URL
http://revistas.unisinos.br/index.php/arquitetura/article/view/13957 Open in new window
Abstract
In a geography that is so culturally distant as Japan, Miralles uses the “sign” as a fundamental language in his creative process to think, experiment and model metaphorical architectural forms. Another concept used by Miralles is that one of “allegory”, in which physical figures supplant ideas. In this article we will see how the drawings of the documents of Unazuki Pavilion project could evoke the human figure, the old bridge structure, the geometry of the City or the geometry of the N...
Citation
Escoda, C.M., Zaragoza, M.I., Esquinas, J. De las miradas distraídas en Enric Miralles = Concerning distracted gazes in Enric Miralles. "Arquiteturarevista", 1 Gener 2017, vol. 13, p. 1-9.
Keywords
Allegory, Creative process, Iconography, Miralles
Group of research
ADR&M - Architectural, Design: Representation and Modelling
GREIP - Building Construction and Heritage Research Group

Participants